"… [Jurowski] setting unrushed, flexible tempos that allowed Sylvie Valayre’s Lady to really sing her solos, never scream or shout them. … [her voice] is solid, with a good edge, and she has all the notes quite fearlessly in the voice, and the necessary agility too, even sketching in that terrifying bit of knitting at the end of the cabaletta with conviction.

And, like Jurowski, she made you listen to the music afresh. Is so much of the Lady’s music really marked pianissimo? Yes it is, and her attention to Verdi’s instructions was little short of inspiring: the marvellous “legato e cupo” opening to “La luce langue”, the sudden pianissimo in the middle of the cabaletta, the frequent staccati (almost a fingerprint in the woman’s characterization-through-music), the hushed, panicky delivery of the “Fatal, mia donna” duet, the pianissimos in the Brindisi – all were there.

This was an absolutely thrilling three-way partnership between composer, conductor and artist."
Rodney Milnes, Opera Magazine UK

"The equally impressive Lady M is the French soprano Sylvie Valayre. 
... she nails the arias with terrific panache and acts up a storm."  
Rupert Christiansen, The Daily Telegraph

“… the wonderful, axe-wielding Valayre is awesome.”
Alan O'Cain, The Independent

"The French soprano Sylvie Valayre is also impressive as his wife…" 
Anthony Holden, Guardian Unlimited 

 - Musically excellent and vocally thrilling - Sylvie Valayre performed a fine and haughty Lady Macbeth -  "There was fine singing, especially from French soprano Sylvie Valayre. 
a wonderfully haughty Lady Macbeth." 
Mike Howard, The Argus 

"… the singing was of a consistently high standard. (…) Sylvie Valayre was a competent Lady Macbeth, drawing as much from the role as possible.  
Sussex Express

„...großartig..." 
"… great…"
Siegfried Helm, Die Welt

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